Casablanca American School (CAS) student Art
CAS International Baccalaureate Student Art 2006-2007
Sabrine Boudih was exploring the relationships between beauty and power. Near the end of her two years her work evolved to address how women are viewed by men and by other women in Western society compared to the religiously conservative society in which she lived. She also began to experiment with combining hidden images in large optical illusions.
Hassan Jettou's work evolved from exploring the relationship between cute and monstrous to that of conflicts in society. He explored: man vs. self, man vs. nature and man vs. society.
Mona Boubekeur first began to explore images of women from different time periods and cultures. That idea matured into an exploration of how women have been viewed in different societies through time.



CAS International Baccalaureate (IB) students' Art 2005-2006
Al El Alami (IB Art 12 2006) attempted to create layers in each piece that would bring its own atmosphere and depth.
There are things
Order, chaos, and that weird
feeling of grander in the night sky
Blood of a Young Wolf (inspired by a Buck 65 song)
Sex – might be something more there (mmm)
Sophia Slaoui's art grew from her emotions, beliefs, and hopes, and evolved around the theme of internal and external conflicts that a woman constantly faces in life.
Sophia Slaoui 2006
IB Art 2006 Sophia Slaoui -The Modern-Day Fertility Goddess
is a Pin-Up -110 x 160 cmIB Art 2006 Sophia Slaoui - Women are Objectified - Acrylic 110 x 120 cm

IB Art 2006 Sophia Slaoui - Women are Objectified - Oil 70 x 120 cm
IB Art 2006 Sophia Slaoui - The Hidden Image Behind A Woman’s Innocence; A Sex Doll
Water Color 120 X 50 cm
IB Art 2006 Noelle Slaoui - Yellow Me
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IB Art 2006 Noelle Slaoui - First - Acrylic

IB Art 2006 Noelle Slaoui - Housewife
IB Art 2006 Noelle Slaoui - Unititled
IB Art 2006 Noelle Slaoui - Big Red- mixed media 100 X 80 cm
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IB Art 2006 Noelle Slaoui - Sketch
IB Art 2006 Noelle Slaoui - Sketch

Chadia El Mansouri was interested in how a cultures depicts femininity and how that affects a woman’s views of herself, her role and her abilities. She is also interested in the spiritual symbolism attached to women.
IB Art 2006 Chadia El Mansouri -Diptych - Oil
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IB Art 2006 Noelle Slaoui - Sketch
IB Art 2006 Noelle Slaoui - SketchChadia El Mansouri was interested in how a cultures depicts femininity and how that affects a woman’s views of herself, her role and her abilities. She is also interested in the spiritual symbolism attached to women.
IB Art 2006 Chadia El Mansouri -Diptych - Oil
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IB Art 2006 Chadia El Mansouri - Jungle - Oil
IB Art 2006 Chadia El Mansouri - Lips - Fiberglass and Oil
IB Art 2006 Chadia El Mansouri -Triptych - Oil
IB Art 2006 Chadia El Mansouri - Homage to Rock- Oil -170cm
Chadia El Mansouri 2006
IB Art 2006 Chadia El Mansouri - Lion - Acrylic and Sand
IB Art 2006 Chadia El Mansouri -Self Portrait - Oil
Joudy Dahan's art was about process. She repeated non referential images as a way to work past what she perceived as a socially imposed aesthetics, to find her unique aesthetic language. Judy was influenced by Marcel Duchamp and aspired to think and create art that was beyond what she believed where normal perceptions in her culture.
IB Art 2006 Joudy Dahan - Shadow Man - Acrylic 60 x 200 cm
IB Art 2006 Joudy Dahan - Sketchbook
IB Art 2006 Joudy Dahan - Femalinity - Mixed Media 80 x 140 cm
IB Art 2006 Joudy Dahan - King Arther - Acrylic
To Jaafar Rahmoun, art about expressesing what is felt, more than about recreating what is simply seen. He was influenced by the pop and the funk movements of California in the 1970’s.

IB Art 2006 Jaafar Rahmouni - Sculpture - wood, metal, plastic - 90cm

IB Art 2006 Jaafar Rahmouni - Sculpture - wood, metal, plastic - 90cm
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